| eyeon
Software’s Fusion 5 is a high-end, node based compositing
system and the perfect tool for film, broadcast or corporate
work, being both resolution and colour depth independent.
Fusion’s interface
is sleek and uncluttered while allowing the artist full
access to its suite of tools, supporting multiple OpenGL
display views.
Networkable Bins can store your footage,
effects and comps making them available to a large production
team.
The power of Fusion is really
unleashed in its tool set. Included are colour correctors,
keyers, trackers, effects, transforms, text tools and a
fully integrated paint system.
Fusion’s masking toolset
includes B-Splines, Beziers, and Bitmap masks, some of which
can support variable edge softness for simulation of motion
blur, etc.
One of Fusion’s most
unique and powerful tool sets is its 3D system.
You can
create full 3D primitives such as image planes, spheres
and cylinders which can be fully textured and lit by Fusion’s
multiple shadow casting lights.
These can then be composited
together and rendered out for direct use with the rest of
your composition.
If that was not enough you can import
.fbx files, along with camera data and point cloud information
from packages such as Maya, boujou and monet.
In a like for like test
Fusion was over 7x faster at rendering a 3D cylinder with
sky texture map and imported camera data than rendering
the same shot in Maya 8.
Other features of Fusion
include a full 3D/2D particle system suite, the ability
to instance nodes, network rendering, scripting, expressions,
and macros.
With all this Fusion still remains extremely
interactive, giving real time feedback in most instances
and having the ability to quickly create RAM previews at
the click of a button.
Overall eyeon’s Fusion is an
extremely flexible, robust and powerful compositing system. |